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  • Exposure Value ZER0̸

    Translucent notions of nighttime lighting

    The invention of electrical light has made our nights accessible and safer, but also brighter than ever before. With Europe in the midst of an energy crisis, rethinking how we perceive and resource the urban night is needed. Exposure Value ZER0̷ is a photographic exploration to unravel the brightness of human generated night lighting regarding its wasteful extravagance and identifies what lighting we should re-evaluate. The photos were made by a technical camera and deliberately shot with slow shutter speed in order to capture a sense of stillness in a dreamlike and otherworldly manner. By using a fixed exposure value, the photographs reveal what would otherwise be imperceptible to the human eye.

    Read the exhibition text

    Lightbox frames

    • Click on the lightbox frames (inside this image) to enlarge


    selection of spreads

    installation view

    Download the research paper

    Check the WdKA graduation catalogue for more information about the project

    See artist page at Galerie Ron Mandos

    Previous view: Best of Graduates group show in Galerie Ron Mandos

    Image courtesy Galerie Ron Mandos
    Photo: Michèle Margot. Image courtesy Galerie Ron Mandos.

    The invention of electrical light has changed the visibility of the night in cities and their surroundings unprecedented in human history. Our nights have become more accessible and safer, but also brighter than ever before. As an energy conscious artist working with photographic media, excessive artificial light at night sparks my curiosity. Being aware of light levels is prevalent in photography, which makes me wonder: how much light do we need at night? What is necessary or sufficient? And what is excessive or redundant night lighting? To find understanding in the use of night lighting within urban public spaces, I explored the sprawling cities Paris and London through the lens of my own methodology.

    By minimising the control over the camera’s exposure settings to a fixed value, I pushed the photographic medium to its boundaries, allowing the artificial light to flourish untamed on the sensitive material and leaving images where the mid-tones and highlights ‘overflow.’ This technical and conceptual methodology supports the proposition that there is a physical and direct relation between the photograph, the amount of light, and the place of occurrence. In this way, the photograph attains the status of proof or piece of evidence with an indexical measure of the present light. The number ‘0’ as part of the title in my work, derives from a numeric scale concept used in the 1950s to simplify exposure calculations. I revisited the concept in which the slashed ‘zero’ denotes both the point of natural darkness and an indispensable condition for letting photographic images exist at all— without light, there’s no photography. Conversely, an overload of light may cease the photograph from existing.

    The research methodology renders light levels visible, whereas the human eye constantly adjusts to luminosity conditions, making them inaccurate for trustworthy indexations. Except for framing, cropping and selection, which I believe are integral to picture-making, no manipulation or further altering of the images is done. Far from simply producing a clear-eyed copy of reality, the images in my research are something closer to a qualitative expression of light— discovered rather than created.

    • LON01-02
    • LON04-05
    • PAR06-08
    • PAR01-01
    • LON01-03
    • LON01-07
    • PAR01-03
    • PAR01-05
    • PAR01-06
    • PAR02-04
    • PAR06-03
    • PAR06-06
    • PAR06-07