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  • Exposure Value ZER0̸, 2022

    Paris and London, 2022

    PAR01-09, 2022. Fujitrans Lambda print mounted in lightbox with dimmable LEDs on dibond in wooden frame

    The human eye adapts to changing light levels — a remarkable ability on which our vision depends. Yet this very adaptability makes us ‘blind’ to the actual brightness of artificial light sources around us.

    In Exposure Value ZER0̸, I employ a photographic light-measuring system from the 1950s to map contemporary urban illumination in cities like Paris and London. By setting the camera to exposure value zero, a threshold once aligned with early artificial lighting conditions, the work reveals a temporal mismatch between past and present light regimes. Rather than simulating history, the images register how current environments exceed and distort earlier perceptual frameworks, exposing the often invisible excess of artificial light. In this way, the camera becomes a tool for measuring not only light, but historical change—positioning photography as a speculative device that connects technological, perceptual, and ecological transformations across time.

    lightbox frames

    Interaction with the human eye

    Exhibitions

    Group exhibition 06.05.2023 - 24.06.2023
    Pennings Foundation

    Pennings Foundation
    Photo: Peter Cox

    Solo exhibition 07.12.2022 - 31.12.2022
    Art Centre Firma Van Drie

    Firma Van Drie

    Group exhibition 05.08.2022 - 17.09.2022:
    Galerie Ron Mandos

    Image courtesy Galerie Ron Mandos
    Photo: Michèle Margot. Image courtesy Galerie Ron Mandos.

    How much light do we need at night? What is necessary or sufficient? And what is excessive or redundant night lighting? To find understanding in the use of night lighting, I explored the cities of light Paris and London, through the lens of my own photographic process. Exactly these cities are visited because of their historical significance: London first applied gas lighting on a large scale in 1807. Less than a century later, in 1878, electric street lighting was first switched on in Paris. The latter has forever changed the way we are experiencing cities at night.

    The project’s name refers to a numerical system that photographers used in the 1950s to determine the right exposure value for a ‘correct’ photo. I played with this given and developed a conceptual and technical method in which the control over the exposure value is handed over to the present light itself, leaving images where the midtones and highlights ‘overflow.’ In this way, I want to show the physical and direct relationship between the photo, the amount of light, and the location where the image is captured.

    The photos are made with a technical camera and deliberately shot with slow shutter speed in order to capture a sense of stillness in an otherwordly manner. The chemical-based transparency film is hand-developed and except for framing, cropping and selection, which I believe are integral to picture-making, the images have remained authentic to the making. What can the photographs reveal about our bright nights that would otherwise be imperceptible to our human eye?

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    • LON01-02
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    • PAR06-08
    • PAR01-01
    • LON01-03
    • LON01-07
    • PAR01-03
    • PAR01-05
    • PAR01-06
    • PAR02-04
    • PAR06-03
    • PAR06-06
    • PAR06-07
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